Ready to perform in many styles and events.

Ready to record with minimal time spent in your studio or his.

  • Classical

    Larry’s original training was in the orchestral realm. Colleagues and audience members have noted his playing as being accurate, powerful, vocal, and sensitive. Larry has led brass quintets in performing genre dynamic and entertaining shows. His primary teachers of orchestral trumpet came from William Vacchiano’s studio at The Julliard School. He is trusted to substitute in several orchestras.

  • Jazz

    Specializing in Lead Trumpet, Larry is confident on the bandstand. His accuracy and sound allow him to freely interpret phrases and communicate them to the rest of the section and the band. Larry works hard to make sure he can easily shade his sound and style to match the roots of each composer’s. His main influences for jazz are Doc Severinson, Snooky Young, Miles Davis, and Wynton Marsalis.

  • Latin

    Growing up in Texas, Larry was heavily influenced by the sounds of the radio and clubs while growing as a professional musician. Although not native to Caribbean music, he has assimilated the feel and fire that’s associated with it. Larry is familiar with the books of great Salsa and Merengue artists, past and present.

  • Pop & Rock

    Larry’s earliest influences to be a trumpet player came from hearing artists using horn sections over pop radio. The trumpet playing found in songs by Earth Wind and Fire and Gloria Estefan had a profound effect on his definition of sizzle and soul. Along with the sound and style required for pop music, Larry is also trained in the art of showmanship and stage presence.

  • Solo performances

    Larry has been a guest soloist on trumpet and cornet for multiple bands and church ensembles throughout the world. Being a soloist requires sensitivity to a unique situation and compromise in musical taste with the conductor of each ensemble or with each pianist & organist.

  • Theater

    Theater work is challenging and very rewarding. The challenge comes from reacting to changes in tempo or direction from the stage and battling complacency after ten or more shows have been run. Larry has proven to meet those challenges while performing some of the most difficult books from Broadway. The rewards come from the energy that actors, orchestra, and audience share each performance.